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For his next album—1969’s unfettered post-bop exploration Poly-Currents—Jones expanded his ensemble with additional woodwinds and percussion while still maintaining spacious realms for the musicians to delve into on modal band member originals including “Agenda,” Agappe Love,” “Mr. Jones,” and “Whew.” Jones is joined throughout by a cast that includes Farrell on tenor saxophone, English horn, and flutes, George Coleman on tenor saxophone, Pepper Adams on baritone saxophone, Fred Tompkins on flute, Wilbur Little on bass, and Cuban conguero Candido Camero. This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket.\u003c\/span\u003e\u003c\/p\u003e","brand":"33\u00261\/3 Record Distributors","offers":[{"title":"Black 180gm","offer_id":55097498894655,"sku":null,"price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0992\/4739\/1039\/files\/ejp-c.jpg?v=1786582224"},{"product_id":"freddie-hubbard-blue-spirits-tone-poet-series-lp","title":"Freddie Hubbard - Blue Spirits (Tone Poet Series) LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe prodigious trumpeter Freddie Hubbard debuted on Blue Note in 1960 and produced an astounding run of recordings over the first half of the decade that culminated with Blue Spirits, which was the last of his 1960s studio albums for the label. This bluesy and spirited album presented five evocative Hubbard originals, each of which was given a richly textured arrangement for an ensemble that included a dynamic four-horn lineup. Drawn from two different sessions, the first date produced the gratifying opening track “Soul Surge” and the percolating “Cunga Black” with Hubbard joined by James Spaulding on alto saxophone and flute, Joe Henderson on tenor saxophone, Kiane Zawadi on euphonium, Harold Mabern on piano, Larry Ridley on bass, Clifford Jarvis on drums, and Big Black on congas. A week later Hubbard returned to Van Gelder Studio with Spaulding, Zawadi, and a slightly different lineup including Hank Mobley on tenor saxophone, McCoy Tyner on piano, Bob Cranshaw on bass, and Pete LaRoca on drums. 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Tenor saxophonist Hank Mobley had been recording for Blue Note for a decade when he made his excellent 1965 album A Caddy for Daddy featuring a first-class sextet with Lee Morgan on trumpet, Curtis Fuller on trombone, McCoy Tyner on piano, Bob Cranshaw on bass, and Billy Higgins on drums.\u003c\/span\u003e\u003c\/p\u003e","brand":"33\u00261\/3 Record Distributors","offers":[{"title":"Black 180gm","offer_id":55097533399359,"sku":null,"price":34.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0992\/4739\/1039\/files\/fmcaddy.jpg?v=1786583009"},{"product_id":"jeff-beck-blow-by-blow-lp","title":"Jeff Beck – Blow By Blow LP","description":"","brand":"33\u00261\/3 Record Distributors","offers":[{"title":"180gm Black","offer_id":55097770246463,"sku":null,"price":40.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0992\/4739\/1039\/files\/jbbbb.jpg?v=1786584997"},{"product_id":"jimmy-smith-root-down-acoustic-sounds-series-lp","title":"Jimmy Smith - Root Down (Acoustic Sounds Series) LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLimited 180gm vinyl LP pressing in deluxe gatefold jacket. Root Down was Hammond B-3 jazz legend Jimmy Smith’s 1972 live album for Verve. Recorded in Los Angeles in 1972, it features a young band that were very influenced by the funk and rock scenes of the time. The album’s title track was famously sampled by the Beastie Boys for their 1995 recording of the same name. Verve Acoustic Sounds Series features transfers from analog tapes and remastered.\u003c\/span\u003e\u003c\/p\u003e","brand":"33\u00261\/3 Record Distributors","offers":[{"title":"Default Title","offer_id":55097777946943,"sku":null,"price":38.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0992\/4739\/1039\/files\/jsrd.jpg?v=1786585272"},{"product_id":"john-coltrane-giant-steps-2xlp","title":"John Coltrane - Giant Steps 2xLP","description":"\u003cp\u003eJohn Coltrane’s watershed 1960 release featuring the iconic title track and “Naima. ”One of the most influential jazz albums of all time!\u003c\/p\u003e\n\u003cp\u003e180-gram 45 RPM double LP mastered directly from the original master tape by Ryan K. Smith at Sterling Sound. Pressed at Quality Record Pressings. Tip-on old style gatefold double pocket jacket by Stoughton Printing.\u003c\/p\u003e\n\u003cp\u003eReleased in 1960, \u003cem\u003eGiant Steps \u003c\/em\u003ewas a watershed album for John Coltrane, solidifying the saxophone legend’s reputation as one of the most influential and innovative musicians in jazz history, as well as delivering jazz to an increasingly mainstream audience, while garnering significant critical acclaim.\u003c\/p\u003e\n\u003cp\u003eAlthough this was John Coltrane’s debut for Atlantic, he was concurrently performing and recording with Miles Davis. Within the space of less than three weeks, Coltrane would complete his work with Davis and company on another genre-defining disc, \u003cem\u003eKind of Blue\u003c\/em\u003e, before commencing his efforts on this one.\u003c\/p\u003e\n\u003cp\u003eColtrane (tenor sax) is flanked here by essentially two different trios. Recording commenced in early May of 1959 with a pair of sessions that featured Tommy Flanagan (piano) and Art Taylor (drums), as well as Paul Chambers — who was the only bandmember other than Coltrane to have performed on every date. When recording resumed in December of that year, Wynton Kelly (piano) and Jimmy Cobb (drums) were instated — replicating the alternate non-Bill Evans lineup featured on “Freddie the Freeloader” on \u003cem\u003eKind of Blue\u003c\/em\u003e, sans Miles Davis of course. At the heart of these recordings, however, is the laser-beam focus of Coltrane’s tenor solos.\u003c\/p\u003e\n\u003cp\u003eAll seven pieces issued on the original \u003cem\u003eGiant Steps\u003c\/em\u003e are Coltrane compositions. He was, in essence, beginning to rewrite the jazz canon with material that would be centered on solos — enabling the solo to become infinitely more compelling. This would culminate in a frenetic performance style using melodic phrasing that noted jazz journalist Ira Gitler accurately dubbed “sheets of sound.”\u003c\/p\u003e\n\u003cp\u003eThe \u003cem\u003eGiant Steps\u003c\/em\u003e chord progression consists of a distinctive set of chords that create key centers a major third apart. Jazz musicians ever since have used it as a practice piece, its difficult chord changes presenting a “kind of ultimate harmonic challenge”, and serving as a gateway into modern jazz improvisation. Several pieces on this album went on to become jazz standards, most prominently “Naima” and “Giant Steps.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Penguin Guide to Jazz\u003c\/em\u003e selected this album as part of its suggested “Core Collection” calling it “Trane’s first genuinely iconic record.” In 2003, the album was ranked No. 102 on \u003cem\u003eRolling Stone\u003c\/em\u003e magazine’s list of The 500 Greatest Albums of All Time, 103 in a 2012 revised list, and 232 in a 2020 revised list.\u003c\/p\u003e\n\u003cp\u003eUndeniable music perfection deserves definitive sound and top-notch packaging. This reissue was mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.\u003c\/p\u003e\n\u003cp\u003eOverall, \u003cem\u003eGiant Steps \u003c\/em\u003eis not only a critical triumph but also a defining moment in John Coltrane’s career. 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Smith went on to sign with Blue Note and lead his own dates beginning with his excellent 1968 label debut Think! In January 1969 Smith returned to Van Gelder Studio to record the follow-up Turning Point with a dynamic 6-piece band that packed a punch with a 3-horn frontline featuring Lee Morgan on trumpet, Julian Priester on trombone, and Bennie Maupin on tenor saxophone. The rhythm section featured guitarist Melvin Sparks and was anchored by the propulsive drumming of Leo Morris (aka Idris Muhammad). The 5-song set produced by Francis Wolff opens with a hard-grooving take on Don Covay’s “See Saw,” which was a hit for Aretha Franklin the year before. Other choice covers include a laid-back version of “People Sure Act Funny” by Titus Turner and Bobby Robinson and an inventive reworking of The Beatles’ “Eleanor Rigby” that injects the Lennon-McCartney gem with a healthy dose of soul. Two Smith originals round out the album including the smoldering “Slow High” and the expansive album-closing title piece which kicks into high gear after a rubato introduction by Smith. 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McCraven’s mastery of the loop is akin to hip-hop’s most celebrated beatmakers like J Dilla \u0026amp; Madlib, both of whom have also remixed Blue Note tracks, but McCraven’s unique approach also incorporates new recorded elements including his own drums, Joel Ross’ vibraphone, Jeff Parker’s guitar, \u0026amp; more.\u003c\/span\u003e\u003c\/p\u003e","brand":"33\u00261\/3 Record Distributors","offers":[{"title":"Default Title","offer_id":55101623927103,"sku":null,"price":28.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0992\/4739\/1039\/files\/mmdtm.jpg?v=1786643497"},{"product_id":"norah-jones-little-broken-hearts-lp","title":"Norah Jones – ...Little Broken Hearts LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA decade ago, Norah Jones defied expectations with her fifth studio album Little Broken Hearts, a striking collaboration with the producer Danger Mouse that arrived 10 years after her debut Come Away With Me prompting SPIN to call it “the second essential record of Norah Jones’ career.” Highlights include “Good Morning,” the single “Happy Pills” and the high-energy groove of “Say Goodbye.”\u003c\/span\u003e\u003c\/p\u003e","brand":"33\u00261\/3 Record Distributors","offers":[{"title":"Default Title","offer_id":55101682385215,"sku":null,"price":28.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0992\/4739\/1039\/files\/njlbh.jpg?v=1786644970"},{"product_id":"pharoah-sanders-izipho-zam-my-gifts-lp","title":"Pharoah Sanders – Izipho Zam (My Gifts) LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePharoah Sanders’ Izipho Zam (My Gifts) is a bold, boundary-pushing jazz masterpiece, recorded in 1969 at Town Sound Studios, two years after his mentor John Coltrane’s death, but not released until 1973 by Stanley Cowell and Charles Tolliver’s Strata-East label. For the first time ever, this piece of jazz history has been transferred from the original analog tapes at 96k-192k\/24bit resolution, with lacquers cut by Kevin Gray at Coherent Audio, whose remasters bring new depth and clarity to this spiritual journey. Pressed on 180-gram audiophile-grade vinyl at Record Technology Inc. (RTI) and packaged in high-quality glossy tip-on gatefold jackets with brand new liner notes by famed writer Harmony Holiday, Sanders’ 13-member ensemble-including Sonny Sharrock, Lonnie Liston Smith, Cecil McBee, and Leon Thomas-will be heard at the highest quality audio available.\u003c\/span\u003e\u003c\/p\u003e","brand":"33\u00261\/3 Record Distributors","offers":[{"title":"180gm Black","offer_id":55101702799679,"sku":null,"price":42.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0992\/4739\/1039\/files\/201375033779_3.jpg?v=1786645488"},{"product_id":"pharoah-sanders-black-unity-lp","title":"Pharoah Sanders – Black Unity LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFor 1971’s Black Unity, Pharaoh Sanders added groove to the foundation of spiritual and free jazz he had explored on his previous Impulse! albums. 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Clark penned four of the album’s six tunes including the moody, minor title piece, the bright, fleet-footed “Bootin’ It,” the feel-good theme “Sonny’s Mood,” and the sprightly swinger “Shoutin’ on a Riff.” Rounding out the set are two standards: a stunning ballad performance of “It Could Happen To You” with Farmer delivering the opening theme and Fuller closing the piece, both with their warm, full-bodied tones, and the Gershwin tune “Love Walked In,” which is a showpiece for Clark who opens with a solo intro before being joined by bass and drums for a trio performance that lets his inventive style shine.\u003c\/p\u003e\n\u003cp\u003eThis Blue Note Classic Vinyl Edition is mono, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.\u003c\/p\u003e","brand":"33\u00261\/3 Record Distributors","offers":[{"title":"Black 180gm","offer_id":55101779542335,"sku":null,"price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0992\/4739\/1039\/files\/scds_ab839c7b-34ae-4cb8-85bb-9fc4bad3a2cc.jpg?v=1786647357"},{"product_id":"sonny-rollins-newks-time-lp","title":"Sonny Rollins – Newk's Time LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSonny Rollins first appeared on a Blue Note recording session in 1949 as part of Bud Powell’s Modernists during a period when the saxophonist was coming up on the scene and cutting his teeth alongside bebop innovators including Thelonious Monk, Charlie Parker, and Miles Davis. After he began leading his own record dates in the 1950s, Rollins hooked up with Alfred Lion again and recorded four tremendous albums for Blue Note in less than a year between December 1956 and November 1957. Following two quintet dates that were released as Sonny Rollins, Volume 1 and Vol. 2, the saxophone colossus returned to Van Gelder Studio in September 1957 with a quartet comprised of pianist Wynton Kelly, bassist Doug Watkins, and drummer Philly Joe Jones to record Newk’s Time (the album title was a reference to his nickname Newk due to his resemblance to Brooklyn Dodgers pitcher Don Newcombe). Rollins \u0026amp; Co. Romp through a typically eclectic set that includes pieces by his jazz peers (Miles Davis’ “Tune Up” \u0026amp; Kenny Dorham’s “Asiatic Raes”), Broadway showtunes (the saxophone-drums duet “Surrey with the Fringe on Top” \u0026amp; the sumptuous “Namely You”), pop songs (“Wonderful! 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The band features Cecil McBee (bass), Joe Chambers (drums), Herbie Hancock (piano), and Wayne Shorter (tenor saxophone).\u003c\/span\u003e\u003c\/p\u003e","brand":"33\u00261\/3 Record Distributors","offers":[{"title":"180gm Black","offer_id":55102001414463,"sku":null,"price":32.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0992\/4739\/1039\/files\/wsetc.jpg?v=1786650551"},{"product_id":"wayne-shorter-adams-apple-lp","title":"Wayne Shorter – Adam's Apple LP","description":"\u003cp\u003eBlue Note Classic Vinyl Reissue Series All-Analog 180g Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany\u003c\/p\u003e\n\u003cp\u003eBlue Note Records has announced the continuation of the Classic Vinyl Reissue Series which presents 180g vinyl LP reissues in standard packaging mastered by Kevin Gray and manufactured at Optimal. The pressings are all-analog whenever an analog source is available, with Gray mastering directly from the original master tapes. While the first 16 titles of the series focused on the best-known Blue Note classics from the 1950s and 60s, the new run of titles curated by Don Was and Cem Kurosman broadens its scope to span the many eras and styles of the legendary label’s eight-decade history presented by themes: Bebop, Hard Bop, Soul Jazz, Post-Bop, Avant-Garde, The 70s, The Rebirth, and Hidden Gems.\u003c\/p\u003e\n\u003cp\u003eWayne Shorter had already set a high bar over the course of his first several Blue Note albums, which included all-time jazz classics including Night Dreamer, JuJu, and Speak No Evil, but 1966’s Adam’s Apple featuring Herbie Hancock on piano, Reggie Workman on bass, and Joe Chambers on drums immediately joined the ranks of the saxophonist’s greatest recordings and remains a pinnacle artistic statement of Blue Note’s fertile post-bop era. Shorter composed five of the session’s six tracks including the grooving title track, which surely had producer Alfred Lion dancing around Rudy Van Gelder’s studio.\u003c\/p\u003e\n\u003cp\u003eOther highlights of this sublime set include Jimmy Rowles’ arresting “502 Blues (Drinkin’ And Drivin’),” Shorter’s bossa-inflected “El Gaucho,” the tender ballad “Teru,” and the first recording of his timeless composition “Footprints,” which Shorter would record again later that year with the Miles Davis Quintet for the album Miles Smiles. 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Coltrane’s exposure to Ahmadiyya Islam has also been suggested as a source of influence.\u003c\/span\u003e\u003c\/p\u003e","brand":"33\u00261\/3 Record Distributors","offers":[{"title":"Default Title","offer_id":55102648713535,"sku":null,"price":46.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0992\/4739\/1039\/files\/alscm.jpg?v=1786661479"},{"product_id":"ginger-baker-trio-going-back-home-lp","title":"Ginger Baker Trio ‎– Going Back Home LP","description":"","brand":"Used Collection","offers":[{"title":"Default Title","offer_id":55237510299967,"sku":null,"price":28.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0992\/4739\/1039\/files\/gb.jpg?v=1788178618"},{"product_id":"art-blakey-the-jazz-messengers-moanin-lp","title":"Art Blakey \u0026 The Jazz Messengers - Moanin' LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLimited 180gm vinyl LP pressing. 1958's Moanin' - featuring the great drummer w\/ trumpeter Lee Morgan, tenor saxophonist Benny Golson, pianist Bobby Timmons, \u0026amp; bassist Jymie Merritt - was the perfect crystallization of the band's bluesy, soulful sound, \u0026amp; it still stands today as perhaps the most quintessential hard bop recording of all-time. 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